32,979 Free Images of Art Center

yale center for british art paper romanticism graphite etchings in the yale center for british art laid paper drawings in the yale center for british art pen and black ink architectural drawings in the yale center for british art drawings by george stubbs

Study of spruce trees and a rock, Caspar David Friedrich, 9 June 1812

drawings by caspar david friedrich in the getty center german romanticism

The Submission of the Emperor Frederick Barbarossa to Pope Alexander III, Federico Zuccari, circa 1585

italian paintings in the getty center renaissance,mannerism

A Black Leg Detected Secreting Cards, Thomas Rowlandson

drawings by thomas rowlandson in the yale center for british art romanticism

West Front of Byland Abbey, Yorkshire, John Sell Cotman

drawings by john sell cotman byland abbey in art

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers., Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Two Studies, the Throne of Gregory the Great, Church of San Gregorio Magno, Rome, John Flaxman Jr., 1787

sketchbooks in the yale center for british art neoclassicism

Wenceslaus Coeberger, Præfectus Generalis Montium Pietatis, Bruxellis, Lucas Vorsterman the Elder, circa 1635

etchings in the yale center for british art portrait engravings by lucas vorsterman (i)

North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot, George Stubbs, 1815

architectural drawings in the yale center for british art romanticism

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls.", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

Nobilissimus et Integerrimus Vir, D. Paulus Halmalius, Senator Ant., Pieter de Jode II

etchings in the yale center for british art pieter de jode (ii)

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could, Henry Thomas Alken, between 1809 and 1823

drawings in the yale center for british art henry thomas alken

South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley, George Stubbs, 1820

architectural drawings in the yale center for british art romanticism

South East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart., George Stubbs, 1818

architectural drawings in the yale center for british art romanticism

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,, Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Portrait of Désirée Clary, Robert Lefèvre, 1807

portrait paintings of desideria of sweden female portraits by robert lefèvre

The Church of S. Domenico, and the site of Cicero's Villa, on the river Fibrenus, Sir Richard Hoare, 2nd Baronet, 1790

drawings in the yale center for british art richard colt hoare

North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley, George Stubbs, 1820

architectural drawings in the yale center for british art romanticism

South West View of Bourn Hall, Cambridgeshire; the Seat of the Right hon'ble, Earl Delawarr, George Stubbs, 1818

architectural drawings in the yale center for british art romanticism

North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield, George Stubbs, 1820

architectural drawings in the yale center for british art romanticism

North West View of Blithfield; Staffordshire, the Seat of the Right Hon'ble, Lord Bagot, George Stubbs, 1823

architectural drawings in the yale center for british art romanticism

South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield, George Stubbs, 1820

architectural drawings in the yale center for british art romanticism

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church, Thomas Gainsborough, between 1779 and 1780

etchings in the yale center for british art rococo

An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado', Thomas Rowlandson

sketchbooks in the yale center for british art romanticism

Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed., Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark., Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud, Thomas Girtin, 1802

aquatint prints in the yale center for british art thomas girtin

Christiano D.G. Postulato EP. Halberstadiensi, Duci Brunsuicensi, et Luneburgensi etc., Robert van Voerst, circa 1635

etchings in the yale center for british art robert van voerst

Miss Peagreen's Papa & Mama Walking in the Public Walks at a Bathing Place, Nathaniel Dance-Holland

watercolor paintings in the yale center for british art realism

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3, George Cruikshank, 1820

aquatint prints in the yale center for british art etchings by george cruikshank

Portrait of Pope Clement VIII (Ippolito Aldobrandini), Jacopo Ligozzi, between 1600 and 1601

clemens viii by jacopo ligozzi (j. paul getty museum, 92.se.67)mannerism

The Dream of Pope Sergius, Rogier van der Weyden, late 1430s

rogier van der weyden workshop early netherlandish painting

Portrait of a Man by Jacob Delff, Cantor Art Center, 1647

european paintings at the iris & b. gerald cantor center for visual arts jacob willemsz. delff (ii)

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

North East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart., George Stubbs, 1818

architectural drawings in the yale center for british art romanticism

South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart., George Stubbs, 1822

architectural drawings in the yale center for british art romanticism

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter.", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton, George Stubbs, 1812

architectural drawings in the yale center for british art romanticism

Serenissimus Princeps Ferdinandus Austriacus S.R.E, Cardinalis Belgarum Bourgundorumq & Gubernator & c, Jean Pesne, circa 1635

etchings in the yale center for british art jean pesne

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory., Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence.", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart., George Stubbs, 1818

architectural drawings in the yale center for british art romanticism

Sketch of the Dining Room at Burton Agnes; Yorkshire, The Seat of Sir Francis Boynton Bart., George Stubbs, 1819

architectural drawings in the yale center for british art romanticism

Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome, Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

South East View of Belton House, Lincolshire the Seat of the Right Hon'ble Earl Brownlow, George Stubbs, 1811

architectural drawings in the yale center for british art romanticism

Oliver Cromwell, P.R.O.C., Jan Jansz van de Velde, circa 1655

aquatint prints in the yale center for british art jan van de velde (iii)

South East View of Bourn Hall, Cambridgeshire, the Seat of the Right Hon'ble Earl DeLawarr, George Stubbs, 1818

architectural drawings in the yale center for british art romanticism

Forgiving Lovers, Thomas Rowlandson

drawings of kisses romanticism

After, William Hogarth

before and after (hogarth) (second version)realism

Albizia gummifera (J.F.Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing with minor variations in flowering head, Luigi Balugani

watercolor paintings in the yale center for british art albizia gummifera - botanical illustrations

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III, Peltro William Tomkins, 1792

stipple engravings in the yale center for british art 1790s prints of people

[Key to plate 2] Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. 8 March 1832, Charles Bentley

aquatint prints in the yale center for british art charles bentley (painter)

Madonna and Child, Lorenzo di Credi

15th-century paintings of madonna and child in the getty center paintings of madonna and child by lorenzo di credi

The Weigh House, Cumberland Market, Robert Bevan, circa 1914

paintings by robert bevan in the yale center for british art pont-aven school

The Model Resting, Henri de Toulouse-Lautrec, 1889

works between 1888 and 1892 by henri de toulouse-lautrec post-impressionism

Study of Niobe With Her Youngest Daughter, from the Niobid Group, Villa Medici Gardens, Rome, John Flaxman Jr., 1787

sketchbooks in the yale center for british art neoclassicism

D. Franciscus de Moncada, Marchio Aytonæ, Comes Ossonæ, Vice-Come Cabreræ et Baas, Lucas Vorsterman the Elder, circa 1635

portrait engravings by lucas vorsterman (i)prints in the yale center for british art

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance, John Thomas Smith, 1817

drawings in the yale center for british art john thomas smith (1766-1833)

A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum, Sir Richard Hoare, 2nd Baronet, between 1786 and 1819

drawings in the yale center for british art richard colt hoare

December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345), Thomas Stothard

drawings in the yale center for british art drawings by thomas stothard

The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, Benjamin West, between 1765 and 1766

drawings in the yale center for british art neoclassicism,romanticism

Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora, Sir Richard Hoare, 2nd Baronet, 1791

drawings in the yale center for british art richard colt hoare

Portrait Studies of Mary Wills in Cowsslip, John Kemble, Edmund Kean and Mrs. Siddons, March 31, 1802 and April 1, Samuel De Wilde

drawings in the yale center for british art samuel de wilde

Historic center old building places of interest

building history

Historic center böttcher street building

Historic center house truss

Plyctolophus Rosaceus / Salmon-crested Cockatoo 4/5 Nat. size (Plate 2), Edward Lear, 1832

lithograph prints in the yale center for british art bird illustrations by edward lear

Church of S. Domenico near Sora built upon the ruins of Cicero's Villa, Sir Richard Hoare, 2nd Baronet, 1790

drawings in the yale center for british art richard colt hoare

Settling a Love Quarrell, Thomas Rowlandson

drawings by thomas rowlandson in the yale center for british art romanticism

Windsor Castle from the Frozen River during the Great Frost, James Baker Pyne, 1838

lithograph prints in the yale center for british art bristol school

Near Blair Athol Scotland, J. M. W. Turner, 1811

aquatint prints in the yale center for british art romanticism

Set of eight with title-page. 'Foreign and Domestick Animals.' 2. The Lion, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

The South West View of Melton Constable in the County of Norfolk, Seat of Sir Jacob Astley, Samuel Buck, circa 1741

engravings in the yale center for british art samuel buck

View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame., Thomas Girtin, 1803

aquatint prints in the yale center for british art thomas girtin

The Essex East Indiaman in the Morning after the Storm with Her Signal of Distress to a Ship in Sight, Francis Jukes, 1785

aquatint prints in the yale center for british art francis jukes

A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One), Samuel Rawle, 1802

engravings in the yale center for british art samuel rawle

Set of four: Comparative Sporting. 4. Partridge Shooters/The Wrong Sort., Henry Thomas Alken

etchings in the yale center for british art henry thomas alken

Thomas, Second Baron Bruce, Later First Earl of Ailesbury (1729-1814), Catherine Read, circa 1751

drawings in the yale center for british art catherine read

Horses [set of six]: 4. Park Hack, Henry Thomas Alken, 1826

etchings in the yale center for british art henry thomas alken

John Disney D.D., born Sept. 17, 1746, Died Dec. 26, 1816, Charles Picart

stipple engravings in the yale center for british art charles picart

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628, Richard Banks Harraden, 1803

etchings in the yale center for british art richard banks harraden

Set of twelve [Scenes in the Life of Master George], Henry Thomas Alken, 1823

etchings in the yale center for british art henry thomas alken

Elegy (no.15 from Fifteen Etching dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 1778

etchings in the yale center for british art john hamilton mortimer

Old London Bridge after the Repair of 1700 until 1831/1832, Edward William Cooke, 1833

engravings in the yale center for british art paintings by edward william cooke

A Silver Mine at Sala, I: illustration for La Motraye's 'Travels', William Hogarth, 1723

etchings in the yale center for british art realism

A View of the West Front of Clare Hall, King's College Chapel.in the University of Cambridge, Peter Spendelowe Lamborn

etchings in the yale center for british art peter spendelowe lamborn

Set of six with printed wrapper, Plate 1: The Adventures of a Fox by Moonlight, Thomas Mann Baynes, 1836

lithograph prints in the yale center for british art thomas mann baynes

New London Bridge from Billingsgate (low water), Edward William Cooke, 1832

engravings in the yale center for british art paintings by edward william cooke

Set of twelve [Scenes in the Life of Master George], Henry Thomas Alken, 1823

etchings in the yale center for british art henry thomas alken

Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII, William Hogarth, 1746

engravings in the yale center for british art realism

Sister Anna's Probation, John Everett Millais, 1862

wood engravings in the yale center for british art pre-raphaelite brotherhood,symbolism

Vanity Fair: Royalty; 'My August Master', His Imperial Majesty Alexander III, Emperor and Autocrat of All the Russias, October 11, 1884, Constantin de Grimm

chromolithographs in the yale center for british art constantin de grimm

The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843, Thomas Goldsworthy Dutton

lithograph prints in the yale center for british art thomas goldsworthy dutton

Forty-one Botanical Drawings with Notes in three Dark Green cloth Volumes, Luigi Balugani

watercolor paintings in the yale center for british art luigi balugani

The First Balloon Ascent in England, September 1784, from the Artillery Ground, Moorfields, Francis Jukes, circa 1784

etchings in the yale center for british art francis jukes

Set of eight with title-page. 'Foreign and Domestick Animals.' 1. The Baboon, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

Set of twelve with title-page: Sporting Satirist, Henry Thomas Alken, 1834

etchings in the yale center for british art henry thomas alken

Enraged Monster (no.9 from Fifteen Etchings dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 1778

etchings in the yale center for british art john hamilton mortimer

Set of twelve with title-page: Sporting Satirist, Henry Thomas Alken, 1834

etchings in the yale center for british art henry thomas alken

Hunting [set of four]: 1.Going to Cover (titles are also inscribed in French), Thomas Burford, 1766

mezzotint prints in the yale center for british art thomas burford

Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797, James Gillray, 1805

engravings in the yale center for british art james gillray

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